Man in Charge

Tony DePaul runs his life like his investment firm—with strong hands and tight reins in both the boardroom and the bedroom. He wants no part of the high-profile renovation project that could damage his professional reputation and bankrupt a friend, especially  since it looks like the advertising expert is going to require firm handling.

 

Clementine (Cleo) Waiteberry didn’t build a successful advertising agency by kowtowing to other peoples’ ideas of how things should be done or by standing around waiting for things to happen. What she wants, she goes after, and that includes getting a certain stodgy financier and his hunky brothers into her ad campaign for silk boxers. She’s too busy for the huge concert hall renovation project, but if she could pull it off, it would be a feather in her agency’s cap as well as a way to work on Tony for her campaign.

 

From their first meeting, Tony itches to take this fluttery hummingbird in hand, but Cleo’s not about to sit still for anyone trying to clip her wings. He’s scandalized by Cleo’s proposition that he and his brothers pose in underwear for her campaign, but can he leverage what she wants from him to get what he wants from her, all while giving their best to a demanding renovation project that will benefit everyone?